Àyìnlá ọmọwúrà gẹ́gẹ́ bí akọni ọ̀kọrin àpàlà yorùbá: A águia-real como heroína da canção folclórica iorubá

Akeem Kolawole OYEBAMIJI; Abidemi Olusọla BO̩LARINWA

Autores

Akeem Kolawole OYEBAMIJI Federal University of Education -Nigeria https://orcid.org/0009-0002-9221-581X
Abidemi Olusọla BO̩LARINWA University of Ibadan, Nigeria

Palavras-chave:

Àyìnlá Ọmọwúrà, Ako̩Ni, Adúláwọ̀, Àṣà, Lítíréṣọ̀, Orin

Resumo

Ìwádìí ti fì ìdí rẹ̀ múlẹ̀ pé tí a bá fẹ́ mọ ̀nípa litiréṣọ̀ ati àṣà àwọn ẹ̀yà ènìyàn kan, a le tọpa rẹ̀ dé inú àwọn orin ìbílẹ̀ wọn. Orin Ayinla Ọmọwura ni bébà yii gbéyẹ̀wò pẹ̀lú èrò láti ṣe àgbékalẹ̀ àti àlàyé àwọn orin rẹ̀ bí wọ́n ṣe ń ṣe ìgbélárugẹ àwọn àṣà Yorùbá tó níyelórí. Tíọ́rì ìfojú ìmò̩ ìbára-e̩ni-gbépọ̀ láwùjọ tó gbàgbó̩ pé ìgbé-ayé è̩dá nínú àwùjo̩, ìgbàgbó̩ rè̩, às̩à rè̩ àti èdè rè̩ jé̩ òpómúléró fún ìdúró è̩dá láyé ni a fi ṣe ìtúpalè̩ mẹ́rin nínú àwo̩n orin Ayinla Ọmọwura tí ó ń sò̩rò̩ nípa às̩à Yorùbá. Awo̩n orin rè̩ náà nì: National Census (Vol.5), Olóògbé Muritala Muhammad (Vol.9), Omi Tuntun (Vol.17), àti Àwa kì í ṣe Olódì Wọn (V0l. 19). Ìwádìí fi hàn pé orin Ayinla Ọmọwura ń ṣe àfihàn ìranYorùbá gẹ́gẹ́ bí ẹ̀yà kan pàtàkì nílẹ̀ Adúláwò pẹ̀lú ìpolongo àwọn àṣà àti ìṣe Yorùbá bí ọ̀rọ̀ lọ́kọláya àti ìtọ́jú ẹbí, ìwà rere, àti ìfọwọ́sowọ́pọ̀ láwùjọ. Bákan náà, Ayinla Ọmọwura tún máa ń lo èdè lọ́nà àrà àti òwe lóríṣiríṣi ninu orin rẹ̀ gẹ́gẹ́ bí agbédègbẹ́yọ̀. Àbájáde is̩é̩ ìwádìí yii fi Ayinla Ọmọwura hàn gé̩gé̩ bí akọni olórin tí ó ń fi orin rẹ̀ dá àwùjọ lẹ́kọ̀ọ́, s̩e ì̀ròyìn ohun tó ń lọ láwùjọ àti pé amúlùúdùn ni. Láìse àníàní, Àyìnlá Ọmọwura fi orin rẹ̀ ṣègbè fún ìlọsíwájú àti ìdàgbàsókè èdè, àṣà àti lítíréṣọ̀ Yorùbá pẹ̀lú ẹ̀ri ́pé àwọn ènìyàn sì máa ń tọ́kasí orin rẹ̀ láti fi ṣẹ̀rí tàbí yanjú ọ̀rọ̀ kan tàbí òmíràn nígbà ayé rẹ̀ àti lẹ́yìn ìpapòdà rẹ̀.

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Pesquisas comprovam que, para conhecer a literatura e a cultura de um povo, podemos recorrer às suas canções tradicionais. Este artigo examina as canções de Ayinla Omowura com o objetivo de apresentá-las e explicá-las, visto que promovem valiosas tradições iorubás. A teoria da interação social — segundo a qual a vida da natureza na sociedade, bem como sua cultura e linguagem, constituem os fundamentos para a sobrevivência dessa natureza no mundo — é utilizada para analisar quatro canções de Ayinla Omowura que abordam a cultura iorubá. Entre suas canções, destacam-se: *National Census* (Vol. 5), *Olóògbé Muritala Muhammad* (Vol. 9), *Omi Tuntun* (Vol. 17) e *Àwa kií se Olódì Won* (Vol. 19). Os estudos demonstram que as canções de Ayinla Omowura refletem a identidade iorubá como um importante grupo étnico da região de Aduláwó, ao mesmo tempo em que promovem costumes e práticas iorubás, como o casamento, o cuidado com a família, a moralidade e a cooperação social. Além disso, na qualidade de figura folclórica, Ayinla Omowura emprega a linguagem de diversas formas e utiliza provérbios em suas músicas. Os resultados desta pesquisa revelam Ayinla Omowura como uma cantora heroica que utilizava sua música para educar e informar o público sobre os acontecimentos sociais, bem como para entreter. Sem dúvida, Ayinla Omowura contribuiu para o progresso e o desenvolvimento da língua, da cultura e da literatura iorubás por meio de sua música; há evidências de que as pessoas frequentemente recorrem a suas canções para comprovar fatos ou solucionar questões, tanto durante sua vida quanto após sua morte.

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Biografia do Autor

Akeem Kolawole OYEBAMIJI , Federal University of Education -Nigeria

is an Associate Professor at the Federal University of Education, Zaria. He attended Obafemi Awolowo University, Ile-Ife and obtained B.A Education (Honours) degree in Yoruba Education. Masters of Arts and Doctor of Philosophy in Yoruba Literature, University of Ibadan. He specializes in Literature, Children/pupils Pedagogy and the environment. He is a versatile poet. He has presented well-researched articles in conferences and published papers in both local and international journals of repute. He also belongs to many professional associations including E̩gbé̩ Akó̩mo̩lédè àti às̩à Yorùbá and Yoruba Studies Association of Nigeria (YSAN).

Abidemi Olusọla BO̩LARINWA , University of Ibadan, Nigeria

is an Associate Professor in the Department of Linguistics and African Languages, University of Ibadan, Nigeria. Abidemi has broadened her long-life interests in Literature with an M.A and Ph.D degrees in Yoruba Literature from the University of Ibadan, Nigeria. Her current research interests include culture, film, conflict and gender studies. She is a member of several learned and professional associations, such as, International Society for Oral Literature in Africa (ISOLA), African Literature Association (ALA) and Yoruba Studies Association of Nigeria (YSAN). Presently, she is the Administrative Secretary of International Society for Oral Literature in Africa (ISOLA) and the Treasurer, Yoruba Studies Association of Nigeria (YSAN). She has numerous scholarly publications to her credit in local and international journals.

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Àyìnlá ọmọwúrà gẹ́gẹ́ bí akọni ọ̀kọrin àpàlà yorùbá

A águia-real como heroína da canção folclórica iorubá

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Biografia do Autor

Akeem Kolawole OYEBAMIJI , Federal University of Education -Nigeria

Abidemi Olusọla BO̩LARINWA , University of Ibadan, Nigeria

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